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Gaspare Spontini
1774 Maiolati - 1851 Maiolati

OLYMPIE

Olympia
1.Fassung UA 1819 Paris
Libretto / Word-book: Joseph Marie Armand Michel Dieulafoy & Charles Briffault
»tragédie-lyrique / Lyrische Tragödie«

Rolle / Character:
französisch / frenchdeutsch / germanitalienisch / italian
Olympie (Aménaïs)OlympiaOlimpia (Aménaïs)
Statira (Azana) Statira (Azana)
CassandreCassanderCassandro
AntigoneAntigonusAntigono
L'hiérophanteDer HierophantL'hiérophante
Hermas Hermas
Un prêtreEin Priester (Der Hohepriester)Il grande sacerdote
1.prêtresse1.Priesterin1.sacerdotessa
2.prêtresse2.Priesterin2.sacerdotessa
3.prêtresse3.Priesterin3.sacerdotessa


Gaspare Spontinis Aufnahmen der Oper "Olympie"

1980-1989
Aufnahmen / Recordings
Rollen / Charakters
Sänger / Singers
1984 [01.-09.02.1984 Studio] Olympie (Aménaïs) Varady, Julia
LP: ORFEO Statira (Azana) Toczyska, Stefania
MC: Cassandre Tagliavini, Franco
CD: ORFEO Antigone Fischer-Dieskau, Dietrich
Dirigent: Gerd Albrecht hiérophante Fortune, George
Orchester: Berlin RSO Hermas Becker, Josef
französisch / french prêtre Fortune, George
1 + 3.Fassung / 1 + 3.version

Info:
The cohesion of the score and the absence of waste-matter probably justify the performing edition used. Nevertheless, the principles on which the score has been edited remain obscure to me. The recording is said to be based on the 1826 Paris version but it contains both more and less than either the 1826 or 1820 vocal scores I have been following. There is no space here to list the cuts—they include ballet music, some choruses and many bars in many numbers throughout. Presumably the aim was to fit it all on to three LPs, and I daresay the results will not arouse too many regrets.

gekürzt / abridged
Radioübertragung / Broadcast
 

 

Orchester / Orchestra
Schallplattenmarke / Label
Abkürzungen / Abbreviations



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